Matsubayashi-ryu was founded by Shoshin Nagamine (1907-1997), a student of several prominent instructors, including Chotoku Kyan (1870-1945), the master of the Shuri-te style, and Choki
Motobu (1871-1944), the master of the Tomari-te and Shuri-te style. He adopted the name Matsubayashi-ryu, which uses the Chinese character matsu (pine), to honor both Sokon Matsumura
(1809-1896), Chotoku Kyan's master, and Kosaku Matsumora (1829-1898), Choki Motobu's master.
The main characteristic of Matsubayashi-ryu is to start with very natural motions, with no sense of awkwardness, and use a natural respiration method. Therefore, it places great importance on handling the body in a natural way, rapid and tempo-free motions, and tanren of sharp techniques. The purpose of training is and train in the principle of shin-gi-tai-ichinyo, (oneness of mind-technique-body) and master it.
Fukyugata I was created by Osensei Shoshin Nagamine in 1940 and Fukyugata II by the Master of Goju-Ryu, Chojun Miyagi. These two introductory kata were originally requested to be created by a special committee of all the Okinawan Karate-Do Association organised and summoned by the governor of Okinawa at that time, Mr. Gen Hayakawa. The reason for the inception of these two introductory kata was to allow beginners and school children to approach Karate practice in the most lenient way possible.
The five Pinan kata, Pinan shodan to godan were created by Anko Itosu in 1907 and were intended to be practiced by high school students as an integral part of the regular curriculum.
The composer of Naihanchi Shodan through to Sandan is unknown. These ancient kata were the introductory ones to Karate for beginners before the Fukyugata and Pinan kata were composed.
The composer of this kata is unknown. The characteristic of this kata is noted by the lunging stances for defensive and offensive movements.
The composer of this kata is unknown also, but it has a long history. This kata was practiced mostly in Tomari Village. The characteristics of this kata are its elegance combined with powerful movements of attack and defence sequences. O'Senseis favorite kata.
The composer of this kata is also unknown, but it has a long history as well. This kata also was mostly practiced in the village of Tomari. The characteristic of this kata is the one-foot stances where the other foot is drawn to deliver a quick snap-kick. It is a short kata but is very elegant looking.
It is believed that this kata was brought to Okinawa in 1683 by a Chinese envoy named Wanshu; but later, this kata was reformed and developed by Karate men of Tomari Village. The characteristic of this kata is the execution of hidden fist punches.
The composer of this kata is also unknown. The characteristic of this kata is the execution of knife-hand techniques. This kata was the favorite of many Karate men of Tomari Village. Soke's favorite Kata.
The composer of this kata is also unknown. Goju-Shi-Ho literally means 54 steps. The characteristics of this kata are the spear-hand thrust and the resemblance of a drunken man's movements. My favorite.
The composer of this kata is unknown. The characteristics of this kata are the execution of a flying kick, and every movement is composed in a diagonally straight line.
This kata was adopted and developed by Okinawan Karate men after it was brought to Okinawa in 1761 by a Chinese Martial Artist named Kusanku. This kata is the most magnificent and advanced kata of all Matsubayashi Ryu Karate. It is also the longest and most difficult kata, requiring painstaking practice for more than a decade for mastery.
In addition to the 18 kata, 7 yakusoku kumite forms are practiced.
These forms were heavily influenced by Choki Motobu.